A couple of us saw Harmony Korine’s ‘Mr Lonely’ a few years ago and were heard muttering “what the fuck was that”.
I suspect that, should we make it all the way through, we’ll come out saying the same thing.
For more information, click HERE.
A couple of us saw Harmony Korine’s ‘Mr Lonely’ a few years ago and were heard muttering “what the fuck was that”.
I suspect that, should we make it all the way through, we’ll come out saying the same thing.
For more information, click HERE.
This is the opening film of the festival, but we’ll also only have been in Sitges for a couple of hours so will be chattering like over-excited squirrels.
Will we forego red wine and tapas for this? Click HERE to find out..
Agnosia is classified as a neuropsychological disorder characterized by the inability to recognize common objects, persons, or sounds, in the absence of perceptual disability. This normally happens to us after about 10.30 in Sitges, or very occasionally after about 5pm on a Sunday afternoon after drinking wine.
Click HERE for more fun Agnosia facts.
A slow moving Thai film about about a man who goes to the forest to die and sees ghosts from his past – pass the Berocca!
Find out HERE if the promise of catfish sex is enough for us…
There’s virtually no information about this film anywhere, other than it’s got Margo Stilley from 9 Songs in it.
Will we spend 14 Days With Victor or 90 minutes in a tapas bar? Find out more here.
I’m not even going to bother to come up with clever text here.
I’ve no idea why they felt they needed to remake ‘Let The Right One In’, and the decision to use Cloverfield’s Matt Reeves as Director is a real head-scratcher.
I doubt we’ll see this, read more of my rantings here.
We’ve never sampled a Uruguayan film before, let alone a horror film shot in real time, in one take, and is based on a true story.
I’m pretty sure my name’s already on the ticket for this one, find out more HERE.
If we could only slice out the film’s soft centre and leave its edgy visual exterior we may have something. Or are we merely judging on past Asian disappointments?