05.10.09 – DAY 3 – Stay away from the balls

Ouch! An all too familiar pattern was already emerging but at least we had a morning film today to keep us on track and off crack.

CROPSEY – PRADO – 11:00HRS

When do you stop looking for the boogeyman under your bed and start looking for him out in your neighbourhood? This documentary looks at the point where urban myth told by children to scare each other, or by parents to ward their children away from potential danger, turns from make believe to reality.

Looking at the events surrounding the disappearance of a number of children on Staton Isand in the 70´s and 80´s the filmaker´s take their own personal recollections and those of community members closely involved with the original incidents and look again at events in light of the fact that the man eventually convicted for the abductions was due up for parole. There´s some question as to its inclusion at Sitges but the film took an interesting look at how society can be conditioned and manipulated, and how adults, not just children, can be made to believe the boogeyman exists as long as you pick the right character and cast him in the wrong light.

……..We managed to find a more productive use for the time between films and penned our thoughts on events so far. The disappointment of THIRST had been re-channeled to hope for the upcoming Auditori back-to-back

METROPIA – AUDITORI – 15:00HRS

Sold on the trailer´s unique visual style we were glad to be catching this unusual animation feature on the Auditori´s big screen. In an attempt to promote happiness and well being the future Europe presented in the film has been linked by a giant underground metro network stretching from Scandinavia to the mediterranean, and London to the Eastern border with Asia. Opposite to it´s supposed intended purpose this has instead driven people farther apart and devoid of free spirit, however, it unfolds that this may have been the plan all along as the corporation behind the metro project turns out to have had far more of a hand in moving the population than is at first realised. An interesting but relatively straight story is given more impact by original visuals but perhaps relied too much on this when more weight could have been given to the central theme of population manipulation by big corporations.

………A short loop back to the Auditori´s entrance as we were straight back into the next screening.

MR.NOBODY – AUDITORI – 17:00HRS

Life constantly asks us to make choices but what if by not making a choice all the possible scenarios and permutations could then play out simultaneously? What if we could live out all our ¨possible¨ lives? Moreover, what if we knew how all of these possible lives would play out, would we still be able to choose which to live?

This was Colin´s 2009 SYNECDOCHE NEW YORK and will be the subject of a more detailed review as and when Colin´s come back down to Earth and is ready to reveal what´s frying his brain. For the meantime we´ll just say that this film was genius and, while Leto´s performance was exceptional considering the challenging nature of the material, it was an absolute triumph for the director, Jaco Van Dormael, that a theme that exists at such a subconscious level could be lifted and interpreted on the screen in a very human way.

……..Though the team is slightly divided on just how good MR.NOBODY actually is it´s lifted spirits and calls for a celebration. As if we needed an excuse. So it´s off to Hernan´s to contemplate the meaning of Life, the universe, and everything.

04.10-09 – DAY 2 – It would be like Bruce Lee in Enter The Dragon

Ouch! Breakfast certainly wasn´t taken in the manner of Eric and Ernie and this year we didn´t have Tater-Tots for comfort. The Cava remained on ice.

Fortunately the festival program hadn´t thrown up any early showings to our taste so we liesurely took in the sights and sounds of a Sitges Sunday. However, those that know us know that that spells trouble and as the sun passed over the Yard-arm the first bottle of vino was cracked. Add to that another three bottles before we found ourselves in bar Trocadero where the beer arrives via self-serve pumps charged by the litre. Did I mention trouble already?

We´d gone there to watch the Chelsea/Liverpool game and found ourselves in good company as Malcolm Mcdowell occupied a table at the end of the bar , feet up, kicking and heading every ball along with Gerrard and Lampard.

There may have now been a slight swagger in our step but we still managed to find our way to The Prado for our first (and in Shaun´s case, last) film of the day.

DELIVER US FROM EVIL – PRADO – 21-30HRS

This Danish/Swedish offering from Ole Bornedal delivered on the visual promise shown in the trailer. A deliberately washed out, stark palate added weight to the film´s heavy themes of strained family ties, revenge, and human mob mentality. A fatal accident is the catalyst for the true character of the film´s protagonists to rise to the surface where brother is pitted against brother, husband against wife, monster against mob, and right against wrong.

The film´s gritty and uncomfortable under-belly was established well by Bornedal in the early stages of the film but the ending was a little too much pitch-forks and Frankenstein for our taste (not that Shaun made it to anywhere near the end of the film). We´ll have to make do with the film´s striking visual style and some solid performances from the lead actors.

……..There was just time to pack Shaun in bubble wrap, point him in the general direction of the hotel, and nudge him on his way before the remaining half of the team could double back into The Prado for a tough ask at this time of night after a Sunday on the sauce.

1 – PRADO – 23:30HRS

This would be a tough one to describe even if we had the full team in attendance and we´d been drinking expressos all day. The director gave a brief introduction before the film and, by the time the end credits rolled, I was hoping I´d bump into him again so I could ask him just WTF most of it was about.

This was supposed to be the film of the book that couldn´t be made and I can see why. The mysterious appearance of a book, bound in a plain white cover and with the simple title¨1¨ appears at the Ministry of Information and could hold the key to Mankind´s salvation. What is the book´s tru purpose? Can anyone actually understand it anyway? I wish I had the answers but in order to give this film a full and fair trial we´re going to have to get back to you once the team has conferred.

…….The remainder of the team crawled off for near instant sleep and dreams of tater-tots-

03.10.09 – DAY 1 – Am I wearing your trousers or are you wearing mine?

The homework’s been handed in, previews compiled, and the ‘must-see’ list drawn up. We’re not ones for ceremony here at CS so let the festival begin.

A somewhat tardy start for the team as we arrived Saturday, two days into the festival and straight into the thick of the Matinal de Santa Tecla celebrations and a Sitges full house. The sun was shining and the Barcelonistas were out in force, swelling the queues but bringing the Mediterranean glamour to the festival’s red carpet parade.

In an attempt to catch up with the festival we’d scheduled two films for Saturday evening and within an hour of our arrival we were walking the Auditori’s blood red carpet for the Greek film KYNADONTAS

KYNADONTAS – AUDITORI – 18.30HRS

Our second Greek film in as many years and we’re already getting the impression that they’re reading from a different script. Last year’s TALE 52 was weird but it didn’t feature a family of dog impersonators who also thought that aeroplanes flying overhead were only the size of plastic models that occasionally fell into their garden, kittens were vicious animals that could rip your limbs from their sockets, and Zombies were small yellow flowers.

A bizarre story of a family’s self-imposed isolation from the outside world, where the parents’ version of reality is the only one the children are allowed to learn. However, the parents’ version is about as far from reality as you can get, and deliberately so for their own twisted purpose.

They control their children’s every thought and action by maintaining a state of fear and confusion, however, this ‘reality’ can only be maintained for so long and as the outside world begins to seep in, the parents struggle to contain the children’s curiosity and frustration.

Both the director and the actors were given extremely challenging material to work with but delivered utterly convincing performances. Some of the more uncomfortable scenes were approached with total conviction and even the most bizarre dialogue or alien of scenarios were never anything but believable. Add to this the film’s distinctive look and the director’s excellent use of the camera and the end result is a solid effort at what was an unusual subject.

…………After a weird but reasonable start to the festival with KYNADONTAS we’d allowed a couple of hours to reacquaint ourselves with Sitges before one of the big events of the festival, Park Chan-wook’s THIRST. It had been a couple of years since the Wookie had graced the Sitges stage and we were chomping at the bit.

THIRST – EL RETIRO – 22:45HRS

PCW’s foray into vampire territory with a tale of a priest who contracts a deadly blood virus but, unlike all before him, survives. However, at what cost? The priest soon realises that the virus can only be controlled by a constant intake of fresh blood and his initial attempts to satisfy this thirst through his version of a transfusion soon move on to more direct and sinister means.

The word “disappointed” doesn’t really encompass our reaction here but it’s a good place to start. Perhaps we raise our expectations too high for the man who brought us OLDBOY, perhaps we just want or expect a continuation of that style, but we can only give you our opinion at this moment and right now the Wookie’s got some unhappy fans with a bucket load of questions.

Did you end up with too much material in the can and just couldn’t pull it all together in one coherent piece? Did you understand the material in the first place? Did the film end up as you expected or desired or were external forces brought to bare on the final cut (the editing certainly left a lot to be desired)? What did you think the final film was actually about? Vampires? Love? Religion?

We can’t even fall back on our love for Park’s stylised visuals or powerful use of score as both were either lacking or misused. The usually excellent Song Kang-ho made a valiant attempt but all the elements of this film appeared scattered over the screen, unrelated or disinterested in each other. Every pun intended. This film sucked!

……………There’s only one way team CS knows how to deal with this kind of disappointment and heartache and that’s as though we’d just broken up with our girlfriend because she ran off with our best mate. We’d have to drink heavily to mourn the loss of our best mate obviously. A quick beer in Cafe du mond and another in Soho were mere stop-gaps as there really is only one venue for the job. Hernan and The Road Cafe. Forward wind to 4am and this year’s festival had been given the now customary launch.

42nd Sitges Film Festival Blog

In a town where breakfast is accompanied by a bottle of iced Cava you’re just going to have to accept that our daily festival blog will appear as and when we emerge from hazy hangovers and alcohol induced amnesia.

First Official Blog entry coming right up…………

Pre-Festival warm up

Right! Less than a week to go so it’s time for some pre-festival stretching exercises.

Check out these Sitges related articles from those whizz kid journos over at Variety.

Festival highlights

Spain’s downturn doesn’t scare genre biz

Mexico-Catalonia co-productions heat up

And while we’re at it, don’t forget to rip your clothes to shreds, pack an extra set of eyeballs and fill your toiletry bag with plenty of fake blood if you’re planning to join in on the festival’s Zombie walk