But We Like It Because It Looks Cool.

While we’re semi-aware of the hidden textural layers many movies may weave, generally speaking a film rarely has to dig deeper than slick visuals and claw hammers to keep team Corridorstyle  happy. And although we really don’t need any new reasons to stick OLDBOY, BITTERSWEET LIFE, or THE CHASER in the DVD for the umpteenth time, Andrew Lowry at The Guardian has an interesting take on a possible catalyst for Korean cinema’s recent love for bloody revenge.

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